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Google’s strangest street views, and other creepy wonders – the week in art | Art and design

Exhibition of the week

Jon Rafman: Nine Eyes of Google Street View
Images appropriated from Google Street View give an eerily intimate and creepily intrusive vision of life on Earth.
Sprüth Magers online until 25 July.

Also showing

Annie Leibovitz
Photographs of a still, silent quarantine experience that are being sold to support causes including Black Lives Matter.
Hauser and Wirth online.

Lucas Cranach the Elder
Best man at Luther’s wedding, witch-burning magistrate and painter of sinful nudes – Cranach stood at the strange heart of the German Renaissance. You can visit online and, later in the summer, in person – extended to the end of the year.
Compton Verney, Warwickshire until 31 December.

Helmut Newton
If you are in the Sussex countryside seek out this unlikely retrospective of the photographer who was Cranach’s kinky heir, now open by appointment.
Newlands House, Petworth, West Sussex until 30 August.

A Creepy Crawl through the Collection
With schools far from fully reopened, art can be an educator, and this online exploration of insects in art is a nice introduction for children to the National Gallery’s more curious treasures. Fun for grownups too.
National Gallery, London.

Image of the week

Queen II album cover stamp



Photograph: Royal Mail/PA

Queen II first-class stamp, 2020
A different queen is about to appear on British stamps – the rock group Queen, that is. The latest special edition from Royal Mail celebrates the phenomenally successful rock group with a series depicting album covers and live shots. Only two other bands have previously had this honour: the Beatles and Pink Floyd.

What we learned

In our Black British culture special, artists across generations discussed their experiences of how racism affects their work …

… read architects Elsie Owusu and Shawn Adams on the ‘concrete ceiling’

… and Michaela Yearwood-Dan and Mary Evans on art world discrimination

Spain’s latest botched art restoration drew condemnation from professionals

The National Gallery led the way with plans to reopen after lockdown

Coronavirus claimed this year’s Glastonbury but the V&A offered a seven-day online celebration of the festival

Sculptures honouring the Windrush generation will be unveiled in London in 2021

How lock-up garages became a fashion startup hub in Poplar

Elliot Caunce looked for hermits in Scotland

Alicia Canter explored maternity in lockdown

Former slave Bill Traylor’s artistic legacy is under threat from forgers

A Nigerian scholar has called for a halt to auction of sacred Igbo artworks

We enjoyed previously unpublished shots by Japanese photographer Issei Suda

Prix Pictet-shortlisted photographer Alexia Webster examined her family legacy

A new book documented the demolished, abandoned and damaged buildings of Cairo

Photographers sold rare prints of musicians including Jagger and Lady Gaga to support the industry during the Covid-19 crisis

Our great British art quiz came from Bradford, Scarborough, Perth, the National Army Museum and Carmarthenshire

Li Zhensheng, photographer of China’s Cultural Revolution, has died

And we remembered architect Stephen Marks

Masterpiece of the week

La Joie de vivre, The Joy of Life, Max Ernst, 1936.



Photograph: Peter Barritt/Alamy

Max Ernst, The Joy of Life, 1936
Adolf Hitler was in power, the Spanish civil war was starting – and while other artists were politically engaged, the German surrealist Max Ernst was painting this dreamy garden. But look again. A monstrous mantis crawls towards the figures caught in the undergrowth. This is the Garden of Eden gone mad, a paradise become hellish. Even the colour green, so symbolic of life, can be nauseating when it runs riot. Ernst has delved into the fetid psyche of Europe in the age of the dictators and seen the unhealthy garden of the modern mind.
National Galleries of Scotland

Don’t forget

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